
Two refusals
Dec. 3 — Resistance doesn’t always look the same.
At Emory’s Michael C. Carlos Museum, the show “Continuum” refuses to let Muscogee people disappear from Atlanta’s story. Curator Miranda Kyle and artists Johnnie Diacon and Hotvlkuce Harjo built an exhibition resisting the city’s historical erasure of Indigenous life. The show insists Muscogee people never left Georgia — that their presence is ongoing, simultaneous, permanent.
Upcoming at the Plaza Theatre, Film Love brings a different kind of resistance: Anthony McCall’s “Line Describing a Cone,” a work that refuses permanence entirely. The 1973 film exists only in fog and projected light. Thirty minutes, then poof! Gone. No archive. No replay. A denial of the art world’s standard terms: collect, preserve, own.
One resists being forgotten. The other resists being kept.
What’s worth resisting in your life?
—Sherri Daye Scott
You can’t erase this
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Art Happenings
Post of the Week
“Amethyst Rocks,” a new work by painter and street muralist @nCarlosJ reframes the Saul Williams poem, “Slam,” through rising figures, shifting skies, and the blur between the divine and the everyday.
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